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She may also humiliate him further by requiring he perform demeaning or embarrassing tasks while naked in public.In much the same way the exhibitionist exposes himself looking for the humiliation of being laughed at for his penis size, the Mistress may expose the CFNM male with a small penis to others for that same purpoose.The carved decorations include trefoils, flowing tracery, rosettes and at prominent lookouts, gargoyles.The large gargoyles are purely decoration instead of their normal use to direct water away from a building.The act of sucking another man's cock is humiliating enough, but to be made to do it naked, in front of fully clothed women, is the ultimate humiliation.To further humliliate him the Mistress may point out how small his penis is compared to those he is sucking and remind him of the fact that if he were a real man, he wouldn't be naked, on his knees, with a cock in his mouth.Unlike the submissive CFNM male, the exhibitionist male is usually a dominant whose way of taking control of the situation is by exposing himself to those unaware around him.
Louis and Joan of Arc by the Austrian born architectural sculptor, Karl Bitter.
Still owned by one of Vanderbilt's descendants, it stands today as one of the most prominent remaining examples of the Gilded Age.
In 2007, it was ranked eighth in America's Favorite Architecture by the American Institute of Architects.
CFNM is an acronym for "Clothed Female, Naked Male" or "Clothed Female, Nude Male" and refers to scenarios that involve a naked man in the presence of one or more fully clothed women.
In CFNM situations, the male is denuded and made to perform purely for the enjoyment of the women in his presence.
The facade is asymmetrically balanced with two projecting wings connecting to the entrance tower with an open loggia to the left side and a windowed arcade to the right which held the Winter Garden that was fashionable during the Victorian era.